Olly Mann reflects on whether people who can't sing but enjoy doing it should be deterred or encouraged
Pop idols?
Do you remember how compellingly cringey it was, the first
time you saw a keen, puppyish candidate standing on that plastic star, singing
their heart out to the cameras—eyes full of emotion—only to be told they
couldn’t sing at all? And then, regardless of whether the wannabe looked like
an FHM pin-up or a fugitive from the local hospital, the director would cut to
Pete Waterman wincing, and you’d laugh…
"As you watched a TV singing show and opened another pack of Maltesers you said, 'who told them they could sing?'"
And then, do you remember what you said, as you popped open
another packet of Maltesers? You said: "Who told them they could sing?!".
Which, in the salad days of the Simon Cowell era, was what
everyone watching Saturday night telly was saying. Because, for an audience weaned
on Opportunity Knocks and New Faces—competitions whose contestants
were, for the most part, established regional or touring variety acts—the very
concept that a singer could feature on an ITV talent show despite having no discernible
talent felt truly novel.
Age of the influencer
Of course, these days, a lack of talent doesn’t prohibit you
from having a music career, and you don’t even need a record label: if you’re pretty
enough, you can simply film yourself miming along to a professional pop vocal,
and millions of people might Like your videos on social media.
Then, as an "influencer",
you can attract lucrative advertising revenue, lounge about in complimentary
suites in lush resorts, and film multiple more miming videos, standing aside
various Singaporean waterfalls, and maybe some girls will come to your book
signing, and you can launch your own fragrance. It’s a weird world.
Singing shows and a lack of talent
But back then? Back then, it seemed that those poor souls who
had the ebullient self-confidence to audition for a singing show, yet lacked
any actual ability in the skill of singing itself, were in a uniquely pitiful
predicament which must have only occurred due to some pushy stage school parent
behind the scenes, or perhaps a well-meaning friend who thought they were doing
the right thing by telling their mate that sure, everyone bullies you at
school, but you should follow your dream to become a pop star because that’s
your passion.
So: “Who told them they could sing?!”, you’d exclaim from
the sofa.
And I agreed with you. When televised singing contests
dominated the cultural conversation, I was in my early twenties, and the lesson
I gleaned from them was this: parents need to step up. If ever I have kids, I
told myself, I’ll be cruel to be kind. If my children can’t sing, I’m going to
tell them so to their faces—so they don’t end up embarrassing themselves on
national television. This dictum became so hard-wired that, two decades later,
I’m still struggling to suppress it.
Parenting a singing child
Now a parent, I understand the benefits of encouraging children
to develop their interests. Supporting their personal growth easily outweighs
any concerns that they may not actually be particularly proficient at their
hobbies; and anyway, if they persist, they might improve.
So, when my older son scrawls a picture of a splodge with
two arms and calls it a portrait, I tell him he’s a great artist. When he kicks
a ball into the wall, missing the goal by two clear metres, I claim he is playing
great football.
"There's certainly not a lot of subtlety in my younger son's stagecraft"
Fortunately, he has no interest in performance. (He’s so shy
of the limelight, he even tried to drop out of the investiture ceremony at the
scout hut—lest his contemporaries, all wearing identical ridiculous uniforms,
might somehow denigrate his flag-saluting skills).
My younger son, however, has apparently inherited my interest
in showbiz. He will spontaneously start dancing when I switch on Magic at the
Musicals. He will be the first, and by far the loudest, to launch into a
fulsome rendition of "Happy Birthday" in any given Pizza Express—whether he
knows the celebrant or not. He eagerly jumps up to volunteer to take part in the
panto. And, accordingly, he was recently cast as the lead vocalist in his
school concert.
But he can’t sing. He really can’t. He shouts, he proclaims,
he gurns, but he cannot sing. He’s certainly charismatic—I’d typify his schtick
as half-Pavarotti, half-Brian Blessed, if you can imagine that from a four
year-old boy—but there is, let’s put it this way, not a lot of subtlety in
his stagecraft. Some in the audience openly laugh at his bum notes.
Infectious confidence
But do I tell him he is wonderful? Of course! His confidence
is infectious, his stage presence is unquestionable, and his joy in sharing
music is delightful. The sound itself is unpleasant, yes—when he rehearses at
home, even the cat leaves the room. Yet still I applaud, heartily, and have just
enrolled him in the school drama programme.
"His confidence is infectious and his joy in sharing music is delightful"
Though, if they bring back Pop Idol… I think I’ll
talk him out of it.
Banner photo: nicoletaionescu/iStock
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