Readers Digest
Magazine subscription Podcast

Best new records to listen to this autumn

Eva Mackevic

BY Eva Mackevic

9th Nov 2017 Music

Best new records to listen to this autumn

From the witchy poetry of Tori Amos to the haunting histrionics of Benjamin Clementine, it's been a great couple of months for music—and there's more to come. Queen fans, listen up... 

Native Invader 

by Tori Amos 


To know Tori Amos is to fall under the spell of her inimitable voice. Sultry and dynamic, it’s at the heart of everything she does. While the warm rasp seduces you with its alluring femininity, the histrionic pitch-shifts make your stomach drop like a roller coaster ride. On her 15th studio album, Native Invader, Amos uses the magic of these vocals to channel Mother Nature and her ability to heal and renew through the cycles of death and rebirth.

Sonically, the record mimics this subject matter beautifully: the soundscapes are mossy, echoic and buzzing with electronic loops, recalling crinkly forest floors and foggy mountain roads. But it wouldn’t be Tori Amos without the piano taking the spotlight; rich in hard-hitting, moody chords, it elevates the vocals to ecstatic heights. Together, they form a loving tryst, which makes the basis for such wistful ballads as “Breakaway” and “Bang”. The stuff of dreams, no less.


I Tell A Fly 

by Benjamin Clementine 


With his unusual sense of style, mesmerising stage presence and an incredible story of success (from homeless busker to Mercury Prize-winning musician) Benjamin Clementine is one intriguing individual. And then there’s the music. Listening to his genre-bending sophomore album, you can’t help but wonder if this man’s been genuinely touched by some kind of higher force.

The visceral tenor seems to come out of him like some unbridled, primal urge he has no power to control. Put on “God Save the Jungle” for a taste of his grandiose approach to melody and limitless musical ambition, or give “Phantom of Aleppoville” a spin to witness how a feverish harpsichord-driven night terror blossoms into a tender, mournful ballad. I Tell a Fly is his magnum opus so far—half rock opera, half religious experience, it may well be one of the best albums of 2017.


Schumann Symphonies Nos. 1–4

by Michael Tilson Thomas and San Francisco Symphony


For further soul-cleansing, cathartic action, you might want to venture almost a couple of centuries back and revisit Robert Schumann’s riveting symphonies 1–4. Densely textured, grand and complex, they cover a whole spectrum of emotion, reflecting the composer’s turbulent life plagued by darkness. It immerses itself in states of obsession, depression, and exhaustion, yet always re-emerges triumphant and uplifting in the end.

Here, the complete symphonies are performed by the Grammy Award-winning team of Michael Tilson Thomas and San Francisco Symphony in a passionate live recording, produced by the Symphony’s in-house record label SFS Media in the highest quality audio, and packaged in a stunning deluxe 82-page hard-bound book, which makes it a perfect gift for any fan of one of the most stirring composers of the Romantic era.

Out on November 10


Low in High-School 

by Morrissey 


The latest album by British icon and the country’s number one provocateur, Morrissey, is, well, the most Morrissey thing imaginable. You could fill a book with things the former Smiths frontman doesn’t approve of, and he rips into them all—from monarchy to mainstream media—yet again. But once you get past all the banner-waving, you’ll find a beautifully arranged and versatile record that announces itself with the riveting blatancy of “My Love I’d Do Anything For You”. This roaring rock prelude catapults you straight into Morrissey’s strangling croon, triggering angsty teenage nostalgia.

The lyrics are as sharp and carefully orchestrated as ever. Each word hits its beat as if measured by a metronome, without a wasted syllable in sight. Big issues are tackled in miniature vignettes, in a tone between self-righteous mockery and discerning self-deprecation. It’s everything we love about Moz.

Out on November 17


News of the World: 40th-anniversary edition 

by Queen 


Ah, Queen. The cornerstone of any rock music education and authors of some of the most massive rock anthems in the history of music. Two of them, “We Will Rock You” and “We Are the Champions”, appeared on their landmark 1977 album News of the World. The stomp-stomp-clap rhythm and Brian May’s singing guitar solos are so deeply embedded in our collective music psyche that it’s hard to imagine those songs with a single note changed. Yet that’s exactly what you get on the upcoming deluxe edition of News of the World and it’s mind-bogglingly cool.

Included in this special box set are hard-to-find versions of the songs, unearthed outtakes, and rarities from the band’s archives, including a newly created “alternative” version of the record, Raw Sessions. Here you'll find a never-before-heard version of “All Dead, All Dead” with Freddie Mercury on the vocals instead of May, an almost unrecognisably jazzy early version of “Get Down, Make Love” and the occasional little jokes and exchanges between the band members. It’s a fascinating collection for casual and hard-core Queen fans alike, and an unmistakable reminder of the band’s incredible stylistic flexibility and all-embracing musical confidence.

Out on November 17

This post contains affiliate links, so we may earn a small commission when you make a purchase through links on our site at no additional cost to you. Read our disclaimer

Loading up next...
Stories by email|Subscription
Readers Digest

Launched in 1922, Reader's Digest has built 100 years of trust with a loyal audience and has become the largest circulating magazine in the world

Readers Digest
Reader’s Digest is a member of the Independent Press Standards Organisation (which regulates the UK’s magazine and newspaper industry). We abide by the Editors’ Code of Practice and are committed to upholding the highest standards of journalism. If you think that we have not met those standards, please contact 0203 289 0940. If we are unable to resolve your complaint, or if you would like more information about IPSO or the Editors’ Code, contact IPSO on 0300 123 2220 or visit